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PATTERN

Critical Link:

Contact Sheets:

Selections:

Selections:

Light Box

Annotations:

DEVELOPMENTS

Black and white Gallery:

Black and white Gallery:

Light Box

PATTERN EXPERIMENTATION

Photoshop Sketch:

Representation of Pattern

Overlay:

Emphasis of Pattern

DARKROOM DEVELOPMENTS

I wanted to use the darkroom to fully focus on and show pattern through a scientific process. After thinly slicing my lemon and placing it in-between two pieces of glass I carefully put it into the enlarger (where the 35mm paper would usually be placed) and created a 3D negative showing the patterns and textures of my lemon using, test strips to determine the exposure time.

Critical Link:

I exposed the photographic paper for 2 seconds each time using a sheet of card to cover the parts of the paper i don't want light to reach. 

I concluded that the perfect exposure time would be around 4-5 seconds

Too bright, not enough contrast.

Test Strip 1 copy.jpg

TOO DARK

1st Attempt:

Exposed for 5 Seconds

Slightly too dark-expose for longer

Not alot of pattern here- do not focus on this area

Texture and pattern shown here- focus on this area of the lemon

Slightly out of focus- readjust focus wheel on enlarger

Not much pattern do not focus here

3D Negatives:

Exposed For 8 Seconds

Inverted:

Positive

I concluded that the perfect exposure time would be around 14-15 seconds

TOO BRIGHT

Too bright = not enough contrast.

I exposed the photographic paper for 2 seconds each time as I knew as i increased the distance from the enlarger to the paper the exposure time would change, leading to me needing to do another test strip to get the correct exposure.

3D Negatives:

Exposed For 15 Seconds

Inverted:

Positive

FURTHER DEVELOPMENTS

Following the same process as my lemon darkroom work, I wanted to experiment with a different fruit (sliced apple) that has a different pattern and texture to the lemon to show how pattern variates in different fruits.

Test Strip 1 copy.jpg

I exposed the photographic paper for 2 seconds each time using a sheet of card to cover the parts of the paper i don't want light to reach. 

TOO DARK

I concluded that the perfect exposure time was around 6-7 seconds

Too bright = not enough contrast.

3D Negatives:

Exposed For 7.5 Seconds

Inverted:

Positive

CHEMIGRAMS

Furthering my darkroom work and applying my skills gained from the chemigram workshop, I decided to re-use the lemon slices from my 3d negatives and place them on my chemigram paper. I left them on a windowsill for 24 hours and let the acids in the lemon juice react with the chemistry on the paper. I have done this to show the subtle markings and pattern within the lemon that can easily be missed with the human eye.

Inverted:

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